I meant to get this up on Thanksgiving, but I got too busy cooking and hanging with family. It was such a fun day. We sat around working on a puzzle I made just for Thanksgiving from my drawing Rooftops. It was one of the most fun puzzles that we’ve ever put together. I hope you are all doing well. I’ve been working hard trying to finish all the Main Character designs for Lost in the Crowd. I can’t wait to show you.
I’ve been loving going back through my old drawings and re-drawing them. It’s been very interesting to see the changes in my style and approach. This piece I originally drew back in 2009, you can see it here. It felt like it needed a reboot. What do you think of this version? I learned a lot making it.
I was taking an exploration of charcoal & chalk on different color tone paper, and this piece happened. For some reason, something just clicked when I was drawing it, and the textures and tone came out exactly the way I wanted. I’d like to pretend like that happens to me a lot, but it really doesn’t happen as often as I would like. I like the vibe of the finished sketch. It reminds me of a mix between Edgar Degas and Henri de Toulouse-Lautrec. I plan on taking more excursions into tone paperland in the near future. Let me know what you think. I hope you are having a great day. This piece is for sale, so let me know if you are interested :)
I’m currently taking the Schoolism class “Story-Driven Illustrations” by Djamila Knopf. One of the first assignments is to produce an influence map. I’ve never heard of an influence map before doing this, but it’s a cool idea. I’m planning on making one every year or two because it’s a healthy thing to re-evaluate those things that are driving you. The way an influence map works is you start out with a template covered by 30 squares. Each square gets filled with an image that represents a category, theme, idea, etc. that is currently influencing your work. The size of the image represents the amount of influence those concepts have on me. It’s a really fascinating task, particularly because if I would have made one of these right when I started my career, my map would have looked completely different.
(p.s. If you are reading this via Bloglovin or another RSS reader, you need to click through to be able to see the post.)
It being Thursday, I thought I would do a “Throw Back Thursday” of one of my first client jobs I’ve done. This illustration is of “Love” for my second collaboration with Gwen Stefani‘s Harajuku Lovers. This is my favorite illustration from that collaboration, the colors and expression came out really nice. This project feels like a life time ago. I’m going to be forever grateful to Jolie, Gwen, and everyone one at Harajuku Lovers for working with me. It was a very special project.
This collage was a fun little experiment I did with my friend Photographer Chadwick Tyler. We had wanted to play around and try things to merge our two styles. One of the first experiments I was curious about trying was hand tinting the photo, so I printed Chadwick’s pictures on transparency paper and painted with oil paint on both sides of the transparency. It gave it a really cool look. I hope you like it :)
I just finished up this portrait of shoe designer Amina Muaddi a few hours ago. I’ve been working on this over the last few days. For the portrait I used watercolor, chalk pastel, color pencil, and gold paint pen. I kept layering it until the tone and expression were right. I’m really happy with how it turned out. I hope you like it. I’m making a video that will be out soon. Any suggestions for a song for the video of this portrait?
I never know when inspiration is going to hit, but I’m very happy when it does. The inspiration for this piece came from my friend Katie Rodgers‘ (PaperFashion) Instagram story a few months back. She had hosted a sketching workshop and asked two ballerinas to model for it. The workshop was in New York. Even though I’m way over here in California, the beauty of the internet made it as though I was there. (Not really… well kinda… ha ha) The pictures from the event were too beautiful not to draw, so I picked up my toned sketch pad and some charcoal, and this sketch of ballerina Cate Hurlin was born. I hope you are having a beautiful Monday. I’m currently a little sick, so laying low today trying to shake it.
Finding the right balance of styles for “Lost in the Crowd” has been a lot of trial and error. I’ve been trying to find my drawing rhythm. When I say rhythm, I mean my natural flow when I draw. I know for just the first chapter there are over 200 panels. With that much drawing I need find a look that is easy to draw, but also fun to draw, something that will keep me excited each time I draw a scene. This sheet was on my early explorations on Yuki‘s design. None of these made the cut, but I wanted to share the journey with you. The good, the bad, and the dank ;)