I’m so excited to finally be on Patreon! I have really fun content for you on there. With your support you get access to full res downloads, behind the scenes videos, coloring book pages, .PSDs and more. So glad to finally get to share it with you. Thank you to my new patrons. If you want to become a patron check out the link in my bio.
I had so much fun making this video. It was great going through old and new projects, and revisiting amazing trips 🇯🇵. Made me miss Japan. I need to make a video from my trip there.
The song is by Imogen Heap. Special thanks to Nick Bowser for the Tiffany and Company footage.
P.S. The full version of the ballerina animation is pre-released on Patreon. ;)
Another underpainting I’m working on this week. This painting is of a photograph I took of the lovely Julia Hafstrom. I was trying something a little different with this one. I wanted to experiment more with technique, so I’m working on channeling my inner John Singer Sargent. I wanted to learn how to be more confident and bold in my brush work. It has been really stretching, but I’m loving how it is coming out so far. I hope you enjoy following along as all these paintings transform.
Over the last few weeks I’ve been working on four oil paintings. Yesterday I put in a lot of time on this oil painting, to finish the dead layer. The character is starting to come to life. The Latri is a character from our book series. The inspiration of the look of the Latri came from a doll by a Beijing based doll maker Ksusha Zhang. I can’t wait to start on the >color layer. It will be interesting to start on the next phase.
I’m currently learning how to oil paint like the old flemish painters. This painting is at the second phase of the Flemish technique called the Dead Layer or the Dead Color Layer. This comes after the brown under painting where I used a thin layer of burnt umber. The dead layer is a monotone layer where you work on getting the values right. I’ve been building my dead layer with a combo of burnt umber, white, and Lamp Black. I’ve been mixing it with a medium I made that is 1 part Refined Linseed Oil, 1 part Liquin, and 3 parts Odorless Mineral Spirits. Once the values are correct, I will start adding color. I’m planning on adding silver and gold leaf after this layer, right before I start on the color layer.
Have you ever used this technique before? If so, I would love to hear any tips or tricks you have on the process. It’s been extremely enjoyable so far. Judging color luminance is something I struggle with, so just isolating the light value before working on color made a lot of sense to me.
The character in the painting is from our book series and is named Veeda Elward. Veeda is a character that my friend Codie Young and I came up with. She is going to be a very interesting character. I used Codie as a visual reference for the character. She is wearing a Valentino dress.
Lately, I’ve been oil painting a lot. I have four paintings currently in the dead layer stage, and I will be posting all of them as they evolve. For many years, I’ve been wanting to do my first art show, but never felt like I had a series of originals that I would want to display in a show. Over the last few months, I’ve been working to put together a coherent collection of paintings.
As I finish each painting, I will put them up for sale on my Art Store. If you haven’t seen my new art store, please check it out. You can find my originals here and my Prints Here. Locating the price on Saatchi Art’s website is a little confusing. The price of each print is found in small light gray font below the original’s price. It took me a while to figure that one out, so I thought I would give you a heads up ;)
For those following my instagram stories over the last few weeks, you have got to see the birth of this piece. It started out as one of my daily gesture sketches of an old editorial of Mona Johannesson. I had made the mistake of using printer paper to do the drawing and as I started to shade it the paper wasn’t holding up. I ended up scanning it and finishing the drawing via Digital Painting. There was something I liked a lot about the sketch so I decided to develop it further. I’ve been really into 1500-1600 century painting and tapestries. Based on those inspirations, I started to concept the piece to be a scene from my brother’s and my up coming book series. There are a lot fun little details in this piece. Also, some guest appearances in the tapestry of Lily Cole, Alexander McQueen, and Simon Ungless. I hope you like it. I’m planning a color version right now, then I will oil paint it.
P.S. I want to thank Mona for letting me use her dog Selma in the painting. It is one of my favorite parts of the piece. :)
Happy New Year! This post is a Light & Color Study drawing I created over the last 3 days of Swedish model Mona Johannesson. Over the last few weeks I’ve been concentrating on improving my drawing skills by doing a lot of light & color studies of poses and angles that have given me trouble in the past. This drawing was created by using a color pencil on Arches 300 lb. hot press paper, blended with razor blades, colorless blenders, and rubbing alcohol. Below, are some of my take aways learned from making the piece.
My Lessons Learned;
– Pre visualize the final image
– Think through what I’m drawn to & want to express
– Work on transitioning from big to small shapes
– Blend, blend, blend, and than blend some more
– Look at the subject from different perspectives
Part of my daily routine, I’ve been doing a couple gesture Study Sketches a day. I’ve been working a lot lately on improving my shading and rending lighting. This was a study drawing I did of Model Mona Johannesson. I did the pencil study using Prismacolor Turquoise Lead, and Prismacolor Color pencils on animation bond paper.
Over the years there have been images that from the first time I see them I’m inspired to paint them. There have also been images that no matter how many times I paint them it never gets old, still feel inspired to paint them over and over. It almost feels like a quest to truly capture the element that I love about the image. Camilla Akrans’s photo of Mona Johannesson is one of those images. I drew it in my Character Sketchbook years ago, and it is an image that I keep coming back to and drawing or painting again and again. I never have been satisfied by my interpretation of the picture. So a few days ago I decided to give it another go. It’s a Watercolor & Color Pencil on Arches 300lbs hot press paper. It turned out way better than I thought it would. What do you think?